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NEWS & VIEWS
CARPE DIEM
Showing posts with label SUNDAY POSTS. Show all posts
Showing posts with label SUNDAY POSTS. Show all posts

May 11, 2008

SUNDAY COVER & POETRY (XI)

… Well, not yet. Hillary is still widely predicted to win the next two scheduled primaries. But... that’s about it.

[And, evoking Mothers’ Day, here’s how he answered when asked, in specific reference to this cover, during this interview, how he thinks his mother, if alive, would react to where he got now: “she would just say ‘don’t let it go to your head, just keep on working hard”…]

Now, apart from the obvious reason of this cover, what made me retake this series after a while was the interesting fact that, for the first time in this race, I actually heard someone in the mainstream media (or on any other media for that matter) referring to it as “The Mother of All Battles”! And, not only that, it was within a poem… by ‘BBC World News America’ anchor Matt Frei, on the BBC2 ‘This Week’ show of 24/04/08. Unfortunately, so far I couldn’t get the video of that show (it doesn’t seem to be available online any longer) or a transcript of the poem, but I had to mention it…

[Get content here]

April 06, 2008

SUNDAY SILENCE


[Photo from Here]

February 26, 2008

MULHERES… DE DOMINGO (Recidivus)*


Domingo e’, a todos os titulos, um dia especial. Tentar justificar essa evidencia e’ praticamente um “no brainer”, ou seja, e’ como tentar-se justificar porque que a chuva molha. Mas, digamos que e’ especial porque nao se trabalha, a excepcao daquelas ocupacoes – formais, como policia e bombeiros, ou informais, como ‘blogging’ – que a isso nos obrigam, ou naquelas sociedades, culturas e religioes que respeitam o “Sabath” literalmente ao Sabado. E’ tambem o dia em que, seja para uma ida a missa, ao mercado, a baixa da cidade, ao centro comercial, ou a uma visita a casa de familiares ou amigos, tentamos sempre apresentar-nos no nosso melhor – em termos de indumentaria ou comportamento. E nao ha’ ninguem melhor do que as mulheres para evidenciarem essa realidade domingueira.

Transportando essa evidencia para a vida mais quotidiana, encontro que… e’ muito dificil entender as mulheres (… nao estou sozinha nisto, sei-o bem: praticamente todos os homens, secundando Freud, disseram-no e continuam a dize-lo…). E isto muito simplesmente porque, pelo menos na vida social, elas tendem maioritariamente a comportar-se como e a vestir-se com as suas poses e vestimentas “domingueiras” que, a uma observacao mais proxima e/ou cuidada, nos revelam que nao passam disso mesmo: comportamento e vestes domingueiras… nada mais quotidiano, nada mais substantivo, nada mais profundo. Falar (de) assim, quando eu sou mulher e nunca me conheci outro genero ou inclinacao sexual, “soa mal” e e’ “politicamente incorrecto” – eu sei. Mas tambem sei que dificilmente havera’ inimigo pior de uma mulher do que outra mulher… dificilmente havera’, pelo menos em certas profissoes e niveis hierarquicos, pior colega de trabalho de uma mulher do que outra mulher. Sei tambem que nao estou sozinha nisto: ouvi-o de outras mulheres, desde ministras a empregadas domesticas, passando por escritoras, escriturarias e profissionais universitarias.

E sei-o, tambem, por experiencia propria: nao ha’ muito tempo, vi-me forcada a abandonar intempestivamente a que talvez tenha sido a melhor posicao profissional da minha vida por uma questao de principio: nao consegui encontrar espaco, ou instrumento, no meu vasto “arsenal” de defesas contra o sexismo e a discriminacao, para tolerar um ataque pornografico, completamente nao provocado (se e’ que e’ possivel “provocar-se” tal coisa…) e “out of the blue”, por parte de um colega de trabalho (por sinal, angolano)… e enquanto o perpetrador encontrava apoio entre os poderosos chefoes masculinos, eu vi-me completamente “desertada” por todas as colegas femininas, incluindo as igualmente poderosas, bem falantes, articuladas, feministas e activistas “burocratas do genero”… E estas nao eram daquelas “de trazer por casa” nao: eram precisamente das que andam pelas reunioes de alto nivel em plataformas internacionais a falar em nome das mulheres Africanas! (But then, again, in their “more African than thou” postures, I’m not African anyway and, presumably, I should have felt exhilarated, honoured and over the moon for having attracted that sort of unwanted attention… ‘cause, presumably, I should be “liberated enough” to accept pornography as a “pleasurable and normal thing”, even in the workplace, when it causes me nothing but disgust and distress…).

Anyway, antes que isto me leve ‘a tese que sempre quis escrever sobre “mulheres…”, mas que sei que nunca escreverei, porque e’ um assunto demasiado pesado para o meu arcaboico, deixem-me encurtar caminho: ja’ sabia bastante sobre a “verdadeira realidade” da “condicao feminina”, por a ter experimentado, vivido e escrito sobre (o artigo em anexo, escrito e publicado no Semanario Angolense ha’ cinco anos atras, e’ apenas disso uma amostra), mas nenhuma das minhas experiencias anteriores me tinha dito tanto sobre essa realidade como esta experiencia de ‘blogging’ nos ultimos meses… Talvez porque, sobretudo sob o anonimato ou mascaras e bandeiras de qualquer especie ou cor, e’ mais facil revelarem-se verdadeiras indumentarias, comportamentos e… identidades. Assim, este blog trouxe-me, ate’ agora, pelo menos duas experiencias ineditas: ver-me confrontada com, atacada, insultada, embaracada e coisificada publicamente por “mulheres” capazes de desferirem ataques pornograficos e violacoes, senao fisicas (e talvez apenas porque disso nao teem possibilidade…), certamente psicologicas e morais, contra outras mulheres, ‘apenas porque lhes da’ na real gana’, e “conhecer” mulheres com inexcediveis e vertiginosos niveis de arrogancia ignorante, racismo, xenofobia, elitismo, soberba e um misto de complexos de superioridade e de inferioridade, que nao sabia antes sequer possivel existirem! Certamente, tambem pude verificar, ate’ agora, excepcoes ‘a regra: pelo menos duas mulheres, so’ para mencionar as ‘bloggers’ que consistentemente se teem manifestado acima de comportamentos mesquinhos, invejas e ciumeiras irracionais, o teem demonstrado atraves das suas diversas participacoes neste blog. Mas receio bem que sejam pouco mais do que as excepcoes que confirmam a regra…

Essas experiencias ineditas, quanto mais nao seja, teem-me deixado a perguntar-me: onde e’ que andavam certas mulheres, em finais da decada de 70, principios da de 80, quando, em Luanda, tanto quanto eu tinha que marcar lugar na bicha para a carne, marcava lugar na bicha da livraria ‘Mensagem’, para poder comprar um exemplar da revista portuguesa “Mulheres” – onde tive os primeiros serios contactos com as lutas das “tres Marias”, o conceito de “Matria” da Natalia Correia (de quem, mais tarde, tive o prazer de ouvir cantar o “Summertime”, que aqui podemos ouvir tao eloquentemente na “voz” de Charlie Parker, numa casa de fados de Lisboa), ou as poesias de Sophia de Mello Breyner ou Florbela Espanca - essa geracao de Mulheres que rejeitavam liminarmente, entre outros "diminutivos", designacoes como "poetisa"? Ou quando, mesmo depois de ter conseguido assegurar uma subscricao que me poupava da bicha mensal (pelo menos teoricamente, porque meses havia em que chegava la’ e mesmo para os subscritores a revista estava “esgotada”…), me lancei, por minha conta e risco, em busca do entendimento possivel das almas de Sylvia Plath, Virginia Woolf, Marguerite Yourcenar, Elsa Triolet ou Simone de Beauvoir… Ou ainda, quando, depois de todos os desencantos, descobri Noemia de Sousa, Maya Angelou, Alice Walker, Toni Morrison, Bessie Head ou Wangari Mathaai?

Onde andavam essas mulheres que nunca apreenderam o sentido de oprobio imbuido na pratica de se “fazerem ‘a vida” atraves de “lutas de galinheiro”, sem qualquer racionalidade a nao ser demonstrarem a sua “superioridade” em disputas pelo que supoeem ser e pretendem fazer passar por “ideias e conceitos”, mas que na verdade nao passam de “preconceitos reorganizados” para lhes servirem como armas de arremesso em competicoes imbecis e irracionais, em espacos virtuais, pela atencao de homens, por nenhuma outra razao objectiva senao obterem notoriedade e tentarem impor-se como “unicos seres pensantes” (normalmente por nenhuma "obvia razao" senao a cor da sua pele...) nos circulos em que se movimentam? Onde?! Em que mundo vivem essas mulheres completamente incapazes de se emanciparem dos mais retrogrados e ignorantes preconceitos e praticas que, com as suas vestes e comportamentos domingueiros, impingem, frequentemente atraves de alguns homens suficientemente “desprevenidos” para tal, sobre outras mulheres – via de regra, as mais desprotegidas economica, social e politicamente – fazendo retroceder a luta das mulheres pela igualdade de generos pelo menos um seculo? Onde?!

Nao sei, nem me interessa particularmente saber. Quanto mais nao seja porque todas essas interrogacoes tambem me deixam a perguntar-me: porque que eu nao torno a minha vida "mais facil" comportando-me da mesma maneira? Ja’ ouvi de pelo menos dois amigos meus, sem qualquer relacao entre si, esta afirmacao: “tu pensas muito…”! Nao me lembro de lhes ter dado qualquer resposta porque tal afirmacao apenas me remete a pensar mais ainda: sera’ que a minha “inocencia” em tecnicas e tacticas “tipicamente femininas” se deve ao facto de ter passado tantos anos (...num mundo em que, curiosamente, a maioria das mulheres, e em particular as que se demonstram mais afoitas e talentosas em desferirem ataques cobardes e inescrupulosos contra mulheres como eu, nao se atrevem a entrar...) a resolver complicadas equacoes econometricas, a tentar encontrar “Nash equilibria” para os mais diversos ‘conumdrums’ da historia, da cultura, da sociedade, do desenvolvimento economico ou da politica internacional, a aprimorar o meu jogo de xadrez, ou a cultivar e a desenvolver a capacidade de pensamento estrategico sobre os mais diversos desafios da condicao humana e da vida quotidiana num mundo, mais frequentemente do que nao, hostil? Nao sei. Fico-me com o Bob Marley: “What you gotta… that I don’t know! I’m trying to wonder, wonder… wonder why… wonder, wonder why you act so”!

Mulheres…

PS: No artigo em anexo, faco mencao particular 'as maes solteiras e nisso remeto-me, e aos leitores, ao que tem estado a ocupar o tempo de milhoes de leitores da J.K. Rowling, essa “fab (former) single mom”, autora de “Harry Potter”, neste domingo: o ultimo volume da serie, espectacularmente lancado aqui em Londres ha’ dois dias. Sinto-me proxima do mundo (antigo) dela por razoes muito particulares: somos contemporaneas da “cruzada do Blair contra as maes solteiras”; ela, enquanto mae solteira a viver de “benefits” quando tal “cruzada” se comecou a manifestar, comecou a escrever a serie num café na area onde eu vivo e onde me sentei pela primeira vez num café de Londres… apenas a imensa fortuna que ela acumulou na ultima decada (e a cor da pele?) nos separa.

*(First published 22/07/07)

December 30, 2007

SUNDAY COVER & POETRY (X)


[Get Content Here]





{Poem: A Martian Sends a Postcard Home, by Craig Raine. Raine is founder and editor of the literary magazine Arete'. His poetry collections include The Onion, Memory (1978), A Martian Sends a Postcard Home (1979), and History: The Home Movie (1994). His latest book is T.S. Eliot: Image, Text and Context (2007) - in Life Lines 2/Poets for Oxfam/Edited by Todd Swift, 2007}

HAPPY NEW YEAR EVERYONE!
BOAS ENTRADAS!
KANDANDOS!

December 23, 2007

SUNDAY COVER & POETRY (IX)

{Click on the picture to get content}






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{Poem: Jesus Isn't Just For Christmas , by John Hegley. John Hegley's collections include Glad to Wear Glasses (1990), Can I Come Down Now Dad (1991), and Dog (2000). His latest collection is The Sound of Paint Drying (2003). He has also released his own CD of songs and poetry Saint and Blurry. Musician Keith Moore accompanies John Hegley on his track here - in Life Lines 2/Poets for Oxfam/Edited by Todd Swift, 2007}

MERRY XMAS EVERYONE!

December 16, 2007

SUNDAY COVER & POETRY (VIII)


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{Poem: Sitting On The Pavement Outside The Camden Falcon, August 1987, by Alan Buckley. Alan was brought up in Merseyside and now lives in Oxford. He is currently one of two poets running the Live Literature Programme at HMP Grendon in Buckinghamshire - in Life Lines 2/Poets for Oxfam/Edited by Todd Swift, 2007}

December 09, 2007

SUNDAY COVER & POETRY (VII)

"In positing any solution we have to be aware of some historical background. Africa was colonized at a time when the nation state was a primary determinant of the historical process. The consequence was that the continent is today divided into more than forty-six-states – more than three times the number of Asia, whose land mass is fifty percent larger. This was done largely to further the interests of European power and commerce."
(...)
"Given that Africa was wrongly assumed to have had no history of its own before the arrival of Europeans, it is hardly an exaggeration to say that Europe created the image of Africa that the colonial period bequeathed to the world. Europe drew boundaries and undertook to establish a civilizing government in each with hierarchical administration and military support – according to the prevalent model of the nation state.”
(...)

“The question cannot be, do Africans have human rights, but what do Africans understand and desire their human rights to be? Otherwise we are yet again remaking Africa, and Africa’s struggle, in the image of our own modernity, or more truthfully, our own recent past.”

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{Poem: Europe, by Sarah Maguire. Sarah is the founder and director of the Poetry Translation Centre. She has published four poetry collections. Her latest, The Pomegranates of Kandahar (Chatto & Windus) is The Poetry Book Society's Summer Choice, 2007. in Life Lines 2/Poets for Oxfam/Edited by Todd Swift, 2007}

November 25, 2007

SUNDAY COVER & POETRY (VI)








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{Poem: Double Wedding, 1615..., by Jane Yeh. Jane is a Lecturer in Creative Writing at Kingston University. Her debut collection, Marabou (Carcanet, 2005), was shortlisted for The Whitbread Poetry Prize and The Forward Poetry Prize For Best First Collection. in Life Lines 2/Poets for Oxfam/Edited by Todd Swift, 2007}

November 18, 2007

SUNDAY COVER & POETRY (V)


>>>GET CONTENT HERE>>>





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{Poem: Actually, by John Mole. John is a poet and an accomplished jazz clarinettist. He is currently the Poetry Society's Poet in Residence to the City of London. He is the author of Counting the Chimes: New and Selected Poems 1975-2003, from Peterloo. in Life Lines 2/Poets for Oxfam/Edited by Todd Swift, 2007}

November 11, 2007

SUNDAY COVER & POETRY (IV)

(…)
Talking about gender issues she laments: “Young men should learn to be more gentile with women. They must not be like their older brothers, some of whom kiss and tell.” This reference is clearly directed at Hugh Masekela’s revelations about their marriage in New York City in the early 1960’s. She then recalls the words of her late ex-husband, Black Panther leader, Stokely Carmichael (aka Kwame Toure), whose speeches included: “We have to respect every woman, even a woman who is one day old. Why? Because some day she will grow up to be somebody’s mother.” And she adds words of disappointment: “One thing I’m not proud of was to marry Hugh Masekela.”
(…)
And Makeba also urges young South Africans to be more curious about their continent that has done so much for our liberation: “We have to stop it (xenophobia) and know that Africa belongs to us and we belong to Africa. And together we should walk and walk tall.”

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{Poem: What Is Exotic?, by Sujata Bhatt. Sujata is an India-born poet and translator. She received her MFA from the Writers' Workshop at the University of Iowa and now lives in Germany. She has published seven collections of poems with Carcanet Press. in Life Lines 2/Poets for Oxfam/Edited by Todd Swift, 2007}

November 04, 2007

SUNDAY COVER & POETRY (III)

For some content and really useful advice for women and everybody (Breast Self-Exam; Prevenção do Cancro Ovariano; Practical Measures Against Racism) click here.





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{Poem: A Song To Heal, by Jean 'Binta' Breeze. Jean was born in Jamaica in 1957. Her poetry collections include the books Ryddim Ravings (1988) and The Arrival of Brighteye and Other Poems (2000). Several recordings of her work are available, including Hearsay (1994) and Riding on de Riddym (1996). Her latest book is The Fifth Figure (2006). in Life Lines 2/Poets for Oxfam/Edited by Todd Swift, 2007}

October 28, 2007

SUNDAY COVER & POETRY (II)

(…)
If the old recording industry in South Africa was totally white-controlled, it was still not half as horrendous as those which existed in places such as Ghana, Ivory Coast, Nigeria, Congo, Cameroon, Kenya, Senegal, Angola, Mozambique, etc., where the music companies were personal kingdoms, which never got to grow to even a fraction of those in this country. At this writing, they still basically remain in that form or are extinct.
(…)
Some individuals might consider such a suggestion to be devoid of any moral merit; however, the one quality the history of Africa’s music recording industry can never claim to ever having possessed is any once of morality. It can only pride itself with exploitation, of the most despicable kind, one that proudly matches its colonial, economic and industrial counterpart’s atrocities.
(…)
If Africa’s present leadership can show as much interest in the development of the continent’s artistic excellence as it does in the promotion of some of its often misguided and destructive policies, if it can succeed in stopping the wars which consume frightful amounts of money that could be alternatively channelled into developing safety and security health and education, arts, culture, the traditional environment and the well being of the continent’s natural resources, then music, film, design and architecture would take a greater priority in our everyday lives.
If this were indeed at all possible, then Africa would surpass all other countries in its monopoly of the music and arts industries in the world. Would that such notions were dear to the hearts and minds of Africa’s political and business communities, then this Africa would become a great continent indeed.

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{Poem: Back To What?, by Benjamin Zephaniah. Benjamin is a poet, novelist and playwright. His poetry collections include The Dread Affair: Collected Poems (1985) and Too Black, Too Strong (2001). He has produced numerous music recordings, including Us and Dem (1990) and Belly of de Beast (1996). in Life Lines 2/Poets for Oxfam/Edited by Todd Swift, 2007}

October 21, 2007

SUNDAY COVER & POETRY (I)


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{Poem: How To Leave The World That Worships Should, by Ros Barber. Ros is an American-born British poet and writer. Her books are How Things Are On Thursday (2004) and Not The Usual Grasses Singing: A Journey Around The Isle of Sheppey (2005). in Life Lines 2/Poets for Oxfam/Edited by Todd Swift, 2007}

October 14, 2007

SUNDAY COVER

September 16, 2007

SUNDAY FAMILY


Esta foto, incluida no livro "A Day in the Life of Africa", foi tirada no Uganda.
It made me wonder: quantas familias assim existem, ou alguma vez terao existido, em Angola? Silly question?

August 26, 2007

FUNGE DE DOMINGO (RECIDIVUS)*


FUFU (FUNGE in Angola)

Fufu (Foo-foo, Foufou, Foutou, fu fu) is to Western and Central Africa cooking what mashed potatoes are to traditional European-American cooking. There are Fufu-like staples all over Sub-Saharan Africa: i.e., Eastern Africa's Ugali and Southern Africa's Sadza (which are usually made from ground corn (maize), though West Africans use maize to make Banku and Kenkey, and sometimes use maize to make Fufu. Fufu is a starchy accompaniment for stews or other dishes with sauce. To eat fufu: use your right hand to tear off a bite-sized piece of the fufu, shape it into a ball, make an indentation in it, and use it to scoop up the soup or stew or sauce, or whatever you're eating.

(For more details see the Congo Cookbook)

...

For some food for thought see the attached article, taken from the interesting blog "Cultural Vulturism".

...

Sobre “vulturismo cultural”, ver ainda, no contexto Indio-Americano, sinopse de uma Conferencia (“Meeting of Indian Professors Takes Up Issues of ‘Ethnic Fraud’, Sovereignty and Research Needs”), onde se pode ler o seguinte: “Cultural vulturism has increased in recent years in spite of the efforts of Indian intellectual criticisms. More needs to be done.” NESTA pagina. (... De notar que os tais Professores Indios devem ser uma "kambada de ignorantes, racistas, complexados e constrangidos"... para dizer o minimo!)

...

Ja' agora, ver tambem ESTA DISCUSSAO (... De notar que o autor do argumento aqui reproduzido nao deve passar de um "invejoso, rancoroso, frustrado e muito de mal com a vida e com o mundo, enfim, um petit-rien"... para nao dizer mais!)

...

[Neste "Dia da Terra" tentemos olhar para a nossa bola de funge como uma representacao do planeta em que vivemos e dessa terra sem a qual nao poderemos continuar a plantar e a colher o milho, a mandioca ou o yam com que milhoes de nos nos alimentamos e mantemos vivos ha' milenios... com que milhoes de filhos desta terra reproduziram as suas energias para a construcao de um 'Novo Mundo' dentro e fora de Afrika.

Vamos Reunir... Vamos encontrar a Harmonia...
Vamos falar da Terra... Vamos esquecer a Guerra!]

...





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Reunir (Funge de Domingo) - Teta Lando


*(First published 22/04/07)

August 12, 2007

SUNDAY SMILE

{Para o Denudado}

Looks creasy, looks browny… but it’s actually a plain, simple, golden... smile.
{It's a card offered to me, some 10 years ago, by my best work colleague ever, Sue Towns. I always keep and look at it with a smile.}

August 05, 2007

SUNDAY SUN


Skies less stormy
Rivers calming down
Watery lanes less watery
Floods drying down

Here comes the Sun…

July 08, 2007

SUNDAY DREADS








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Natty Dread (Bob Marley, The Wailers & The I-Threes)








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Rebel Music (Bob Marley, The Wailers & The I-Threes)











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Am-A-Do (Bob Marley, The Wailers & The I-Threes)












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Revolution (Bob Marley, The Wailers & The I-Threes)









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Talking Blues (Bob Marley, The Wailers & The I-Threes)










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Them Belly Full (But We Hungry)-(Bob Marley, The Wailers & The I-Threes)








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Lively Up Yourself (Bob Marley, The Wailers & The I-Threes)





Extracts from Alice Walker’s introduction to “Dreads” by F. Mastalia and A. Pagano (© Artisan, New York, 1999)

[Except for Redemption Song that is still here, ALL SONGS IN THIS POST CAN BE LISTENED TO HERE]

July 01, 2007

BEAUX DIMANCHES

Yup (or yak, take your pick...) that's a cigarette there...

*England goes (went?) 'Smoke Free' today*

*Princes William and Harry gave a big party at Wembley Stadium today in honour of their late mother*

*The Spice Girls announced this week they're regrouping. Question: What for, to perform at Wembley today... to be invited to the first Brown's bash at No. 10 for a dash of 'Old Spice & Cool Britannia'... what?! Answer: Who cares?!*

*Britain is under 'high security alert' following a number of 'foiled terrorist attacks' this week in London and Glasgow*

*Beaux Dimanches: it's the title of a nice, simple song by an African duo (sorry I didn't get their names, but apparently they're from Bamako) I heard in the wrap-up of this year's Glastonbury Festival. It was also what it was today in London, after days of continuous rain! Maybe it was Diana smiling at her boys' party from above...*

QUOTE OF THE MOMENT

“Toda a inveja reflecte um qualquer complexo de inferioridade e todo o complexo de inferioridade reflecte um qualquer complexo de superioridade (e.g. racismo; machismo; elitismo; exclusivismo; segregacionismo) frustrado...” A.K.

COMMENT OF THE WEEK:
"Boa tarde/dia, sou angolano residente e estudante nos EUA e escrevo para informa-la que gosto de ler o teu blog. O conteudo e a estrutura artistica em si assemelham-se muito as coisas que interessam-me. Keep up with good work!" Anonymous on "Notting Hill Carnival"